Article

Bondar, Melissa ORCID: https://orcid.org/0009-0001-6716-9017 (2025) Micro-events: a potential tool for navigating consent and accessibility in immersive theatre. The Journal of Consent-Based Performance, 3 (2). pp. 97-110. ISSN 2771-8298 (Online)

Bondar, Melissa and Andrade Pires, Carlos Eduardo ORCID: https://orcid.org/0000-0003-3754-3714 (2024) A phenomenology of misfits: a case study of Practice-as-Research in Higher Education symposia. PARtake: The Journal of Performance as Research, 6 (1). pp. 1-19. ISSN 2472-0860 (doi:10.33011/partake.v6i1.2217)

Brown, Lucy, Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 and Oyebanjo, Anuoluwapo Olufunke ORCID: https://orcid.org/0000-0002-6655-9726 (2022) Recognising and addressing unconscious bias and structural inequalities: a case study within television idea development. Alphaville Journal of Film and Screen Media, 8 (24):6. pp. 97-117. ISSN 2009-4078 (doi:10.33178/alpha.24.06)

Greuter, Stefan ORCID: https://orcid.org/0000-0001-5487-0237, Mulvany, Gerard and Myers, Misha ORCID: https://orcid.org/0000-0002-4355-6602 (2023) The immersive archive. International Journal of Performance Arts and Digital Media, 19 (3). pp. 405-423. ISSN 1479-4713 (Print), 2040-0934 (Online) (doi:10.1080/14794713.2023.2223747)

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2023) Operationalising the concept of recontextualisation: leveraging pedagogy and learning strategies in higher education practical courses. Higher Education. ISSN 0018-1560 (Print), 1573-174X (Online) (doi:10.1007/s10734-023-01136-3)

Holman Jones, Stacy, Harris, Daniel X, Campbell, Alyson, Myers, Misha ORCID: https://orcid.org/0000-0002-4355-6602, Murray, Peta, Grigor, Mish and Stevens, Ripley (2021) On Care-fulness: Critical Creative Expressions of Care in a Feminist Theatre Research Project. Research in Arts and Education, 2021 (4). pp. 259-282. ISSN 2670-2142 (doi:10.54916/rae.119524)

Klika (Klikova), Deborah ORCID: https://orcid.org/0000-0001-9883-2646 (2024) Ludwig: in this comic BBC detective drama, puzzles are key to solving a murder – and understanding other people. The Conversation:239626. ISSN 2201-5639

Mancuso, Maria Catena and Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2022) Heroes or criminals? The legitimacy of humanitarian organizations rescuing lives in the Central Mediterranean Sea after 2017. Journal of Italian Cinema and Media Studies, 10 (1). pp. 37-58. ISSN 2047-7368 (Print), 2047-7376 (Online) (doi:10.1386/jicms_00101_1)

Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) 3D spatialisation technologies and aesthetic practice within electroacoustic composition: a journey through listening, composition and performance. Musica/Tecnologia, 17. pp. 69-94. ISSN 1974-0042 (Print), 1974-0050 (Online) (doi:10.36253/music_tec-15197)

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884, Turner, Jane, Weston, Sarah and Condron, Aiden (2024) Editorial. Theatre, Dance and Performance Training, 15 (2):1. pp. 135-142. ISSN 1944-3927 (Print), 1944-3919 (Online) (doi:10.1080/19443927.2024.2365586)

Oxley, Natasha ORCID: https://orcid.org/0000-0003-0011-7113 and Schweitzer, Pam (2023) Making intergenerational drama from older people's memories in a community dementia care group: practices, processes, and impact. Journal of Dementia Care. ISSN 1351-8372 (In Press)

Oyebanjo, Anuoluwapo Olufunke ORCID: https://orcid.org/0000-0002-6655-9726, Brown, Lucy and Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:10.5281/zenodo.5763747)

Pentaris, Panagiotis ORCID: https://orcid.org/0000-0001-5593-8555, Dudley, Alan, Evans, David, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137, Yau, Carmen, Matthews, Kasandra Renee and Hassan, Rania (2024) An exploration of lived experiences of sexually and gender diverse staff members in higher education: a case study. Journal of Homosexuality. ISSN 0091-8369 (Print), 1540-3602 (Online) (doi:10.1080/00918369.2024.2370321)

Reynolds, Tracey ORCID: https://orcid.org/0000-0002-9618-6318, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Franklin, Pamela (2023) Windrush scandal: by accident or design? Discover Society: New Serieshttps://doi.org/10.51428/dsochttps://doi.org/10.51428/dsochttps://doi.org/10.51428/dsochttps://doi.org/10.51428/dsoc, 3 (2). (doi:10.51428/dsoc)

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2025) AI vampires could save Buffy fan favourites like Angel and Spike from a reboot recast. The Conversation:249403. ISSN 2201-5639 (Online)

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 and Zoppelletto, Cecilia (2024) Early Hollywood was financed by Italian immigrants – as our new documentary shows. The Conversation. ISSN 2201-5639

Book Section

Bowes, Neil Simon ORCID: https://orcid.org/0000-0002-9189-0322 (2024) The Possibility of fact: sketching an origin for the performative. In: Twitchin, Mischa, (ed.) Wittgenstein and Performance: You'd be Surprised, Ed. Misc ha Twitchin, Rowman and Littlefield, 2024. Rowman & Littlefield, Lanham; Boulder; New York; London, pp. 27-44. ISBN 978-1538175095; 978-1538175101; 1538175096

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:10.1007/978-3-031-20769-3_4)

Finlay, Alec, Heddon, Deirdre and Myers, Misha ORCID: https://orcid.org/0000-0002-4355-6602 (2021) WILD CITY | FIADH-BHAILE | ORASUL SALBATIC: Mapping the Wild in the Greeny Howe of Glasgow. In: Cohen, Phil and Duggan, Mike, (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 201-206. ISBN 978-1538147191; 978-1538147214

Guillery, Kesia, Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700, Maravala, Persis-Jade and Simon, Bart (2024) Liveness, audio mixing and participatory theatre: hacking the familiar in 'Binaural Dinner Date'. In: O’Dwyer, Néill, Scott, Joanne and Young, Gareth W., (eds.) XR Performance: Scenographic Explorations. Bloomsbury Methuen. (In Press)

Klikova, Deborah ORCID: https://orcid.org/0000-0001-9883-2646 (2021) Defining the beats in the TV sitcom. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development. Springer - Palgrave Macmillan, Cham, Switzerland, pp. 205-218. ISBN 978-3030487133; 978-3030487126 (doi:10.1007/978-3-030-48713-3_13)

Maravala, Persis Jadé and Zisels Lopes Machado Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) Post-immersive interventions with ZU-UK. In: Bucknall, Joanna Jayne, (ed.) Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance. Theatre Makers . Bloomsbury - Methuen Drama, London, pp. 151-176. ISBN 978-1350269330

Myers, Misha ORCID: https://orcid.org/0000-0002-4355-6602 and Frears, Lucy (2021) Performing cartographies: getting inside and beyond the map. In: Duggan, Mike and Cohen, Philip K., (eds.) New Directions in Radical Cartography. Rowman & Littlefield International Press, Lanham, Maryland, pp. 207-230. ISBN 978-1538147191; 978-1538147214

Oyebanjo, Funke ORCID: https://orcid.org/0000-0002-6655-9726 (2023) Chapter 33. The haptic encounter: scripting female subjectivity. In: Davies, Rosamund ORCID: https://orcid.org/0000-0002-6655-9726, Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Macmillan - Springer Nature, Cham, Switzerland, pp. 623-642. ISBN 978-3031207686; 978-3031207716; 978-3031207693 (doi:10.1007/978-3-031-20769-3_33)

Thompson, Ian ORCID: https://orcid.org/0000-0002-7143-8013 (2024) The soundtrack as an acoustic environment: some insights from soundscape research. In: Filimowicz, Michael, (ed.) The Routledge Handbook of Sound Design. Routledge Handbooks . Routledge - Focal Press Book, London; Oxford, UK, pp. 139-156. ISBN 978-1032351476; 978-1032351575; 978-1003325567 (doi:10.4324/9781003325567)

Wroot, Jonathan ORCID: https://orcid.org/0000-0002-6827-728X (2023) Ichi (2008). Female stars and gender representations in the Zatoichi franchise. In: Chan, Felicia, Elliott, Fraser and Willis, Andrew, (eds.) Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories. Edinburgh University Press, UK, pp. 79-92. ISBN 978-1399504942; 978-1399504928; 1399504924

Book

Bondar, Melissa ORCID: https://orcid.org/0009-0001-6716-9017 and Andrade Pires, Carlos Eduardo ORCID: https://orcid.org/0000-0003-3754-3714 (2022) A Phenomenology of Misfits: Discrepancies between Body and World 2022 International PhD Symposium. Faculty of Liberal Arts & Sciences, School of Stage and Screen, University of Greenwich - Technoculture, Art and Games (TAG) Research Centre of Concordia University, London. ISBN 978-0900822261

Chapman, Mark (2024) God's Promises Mean Everything. Dewi Lewis Publishing, Stockport, England. ISBN 978-1916915046

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077

Edited Book

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693

Conference Proceedings

Bondar, Melissa ORCID: https://orcid.org/0009-0001-6716-9017 (2022) When one size doesn’t fit all: Theatre first practices for disability initiatives. In: A Phenomenology of Misfits: Discrepancies Between Body and World 2022 International PhD Symposium. Faculty of Liberal Arts & Sciences, School of Stage and Screen, University of Greenwich - Technoculture, Art and Games (TAG) Research Centre of Concordia University, London, pp. 10-21. ISBN 978-0900822261

Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467

Signorelli, Valentina ORCID: https://orcid.org/0000-0001-7411-7277 (2019) Famous Last Words - A comparative focus on resignation speeches to trace contemporary European instability: the cases of David Cameron and Matteo Renzi. In: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference. Area 14 - Scienze Politiche e Sociali, Volumi di Area 14 - Scienze Politiche e Sociali, 14 . Nuova Cultura, Rome, pp. 109-130. ISBN 978-8833652719 (doi:10.4458/2719)

Conference or Conference Paper

Klika (Klikova), Deborah ORCID: https://orcid.org/0000-0001-9883-2646 (2024) Comedy and language. In: Screen writing Research Network Conference 2024 “Conversation Beyond Script”, 10th - 14th Sep, 2024, Palacký University, Olomouc Czechia Republic. (Unpublished)

Klika (Klikova), Deborah ORCID: https://orcid.org/0000-0001-9883-2646 (2023) The bind in film comedy. In: Screenwriting Research Network (SRN) conference 2023: Gender and the Female Gaze, 20th - 23rd Sep, 2023, Stephens College, Columbia, Missouri. (Unpublished)

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) Strategies for Slowing Down. In: Humanity Summit, 19th - 22nd, Sep 2023, Padrão dos Descobrimentos, Lisbon, Portugal.

Maravala, Persis-Jade, Fry, Gareth and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) Collaboration in sound design and music composition for theatre - Panel, ZU-UK & Gareth Fry. In: Theatre Sound (as) Collaboration. Distributed creations, shared agencies, 13th - 15th Sep, 2023, Ludwig Maximilian University, München & Online.

Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2024) Why immersive spatial audio matters, with the IKO speaker | Brona Martin | TEDxUniversityofGreenwich. In: Ted X University of Greenwich, Target 3D Studios, London.

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.

Stabb, Walter and Bastani, Hadi (2024) Brutalism otherwise presentation Stockholm. In: Alliances and Commonalities 2024, 16-19 Oct 2024, Stockholm, Sweden. (Unpublished)

Stabb, Walter and Bastani, Hadi (2023) Brutalism otherwise presentation and conversation. In: Sound Image Festival, 09-12 Nov 2023, University of Greenwich. (Unpublished)

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes: engaging children and their families in cultural heritage narratives through creative practice. In: London Confrence in Critical Thought, 28-29 Jun 2024, University of Greenwich. (Unpublished)

Artefact

Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2024) Contemplations. [Artefact]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP. [Artefact]

Stabb, Walter, Bastani, Hadi and Bird, Natasha (2024) Audio Playscapes. [Artefact]

Show/Exhibition

Bastani, Hadi and Stabb, Walter (2024) Future echos of brutalist housing. [Show/Exhibition]

Bathurst, Peter (2025) Gerstl's Ghost. [Show/Exhibition] (Unpublished)

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

Stabb, Walter and Bastani, Hadi (2024) Brutalism Otherwise 4-screen installation. [Show/Exhibition]

Composition

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2022) Aisling (Dream). [Composition]

Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 and Manastireanu, Maria (2024) Mars Soundscapes. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Creative Performance or Reading

Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Zaremba-Byrne, Kasia (2022) Tiger Lady (what about us: Empowering Community Voices). [Creative Performance or Reading]

Maravala, Persis-Jade and Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 (2023) The Make-Up Artist and the Shaman. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

Play, Short Story or Poetry

Mo, Lab (2024) Rehearsed reading of stage play "The Gardener" at "Theatre503". [Play, Short Story or Poetry]

Video

Bathurst, Peter (2025) Air From Another Planet. [Video]

Durrant, Tracy, Dodzro, Ron, Emmanuel, Myrtle ORCID: https://orcid.org/0000-0002-7975-9751, Franklin, Pamela, Hockham, David ORCID: https://orcid.org/0000-0001-9362-1137 and Mustapha, Asma'u (2024) Re-igniting Windrush folk stories and songs to improve African-Caribbean mental health disparities in the London Boroughs of Lewisham and Greenwich. [Video]

Mo, Lab Ky (2024) Human Rights Observers. [Video]

Mo, Lab Ky (2021) The Uncertain Kingdom: British People. [Video]

Mo, Lab Ky, Seargeant, Philip, Giaxoglou, Korina and Monaghan, Frank (2024) Black Blue Plaques. [Video]

Stabb, Walter and Bastani, Hadi (2023) Brutalism Otherwise (Chapters 1-4). [Video]

Stabb, Walter and Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 (2024) Ambitious Panic Performance Films. [Video]

Stabb, Walter (2020) Keywords For Today. [Video]

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 and Stabb, Walter (2024) Ambitious Panic Process Film. [Video]

Audio

Patel, Amit Dinesh ORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Other

Bathurst, Peter (2025) Mathilde. Vimeo.

Bathurst, Peter (2023) Multicomponent Output: Triggers for Truth. University Of Greenwich.

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jade (2017) Multicomponent Output: Disability arts, interactive technology and Climate. University of Greenwich.

Lopes Ramos, Jorge ORCID: https://orcid.org/0000-0003-4868-9700 and Maravala, Persis-Jade (2016) Multicomponent output: Disability arts, interactive technology and Health. University of Greenwich.

Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2025) Multi Component Output: 3D Spatialisation Technologies and Aesthetic Practice. University of Greenwich.

McLaughlin, James ORCID: https://orcid.org/0000-0002-2146-6884, Weston, Sarah, Turner, Jane and Condron, Aiden (2024) Special Issue: Theatre, Dance and Performance Training, Volume 15, Issue 2 (2024). Taylor and Francis Group - Routledge, Abingdon, UK.

Stabb, Walter and Bastani, Hadi (2023) Multicomponent Output: Brutalism Otherwise. University of Greenwich.

Wallis, Jillian ORCID: https://orcid.org/0000-0002-5004-9262 and Stabb, Walter (2024) Multicomponent Output: Ambitious Panic. University of Greenwich.