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Items where Author is "Golding, Sue"

Items where Author is "Golding, Sue"

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Number of items: 19.

Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (Print), 1469-2899 (Online)

Golding, Sue (2011) Sexing the mouth-breast: When philosophy met the oral tradition. In: 4th Annual Queertopia! queer(ing) poetics: text, method, movement, thought, 27-29 May 2011, Northwestern University, Chicago, USA. (Unpublished)

Golding, Sue (2011) Synthetic life: fractal philosophy, erotic art and the small matter of enfoldment. In: Synthetic Life: Fractal Philosophy & the Small Matter of Enfoldment, 25 May 2011, Dept of Philosophy, Northwestern University, Chicago, USA.

Golding, Sue (2011) The university must be defended: collateral damage, part 37. In: Surplus to Requirements, 2-4 Mar 2011, Slade School of Research. (Unpublished)

Golding, Sue (2011) Synthetic life – from Ars Scientifica to Ars Erotica: (The task of apocalyptic science for artists). [Creative Performance or Reading]

Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)

Golding, Sue (2010) The Allergic Bodies Conference: Postgraduate/Postdoctoral Research Conference, 2010. In: The Allergic Bodies Postgraduate/Postdoctoral Research Conference, 27 May 2010, University of Greenwich, Maritime Campus.

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

Golding, Sue (2009) Of Clouds and Clocks: When Art Met the Web-Sciences: International launch symposium for ICAS, Oct 16-17, 2009. In: "Of Clouds & Clocks: When Art Met the Web-Sciences" Research Institute Launch, Oct 16-17 2009, Univ of Greenwich, Maritime Campus.

Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.

Golding, Sue and Kennedy, Steve ORCID: 0000-0003-1119-9505 (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)

Golding, Sue (2009) Dirty theory: philosophical enactments after metaphysics. In: International Association of Philosophy and Literature (IAPL), 1-7 Jun 2009, Brunel University, London, UK. (Unpublished)

Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009, Royal Academy of Art. (Unpublished)

Golding, Sue (2009) “Slip of the Tongue: Sense and Sensuality in the Ear of Philosophy,”. In: Research Seminar Series: Visual Cultures/Goldsmiths College, Feb 14 2009, Goldsmiths College. (Unpublished)

Golding, Sue (2009) The assassination of time: (or the birth of zeta physics). In: Berressem, Hanjo and Haferkamp, Leyla, (eds.) Deleuzian events. work-science-medium (1). Lit-Verlag, pp. 132-145. ISBN 9783643101747

Golding, Sue and Paganelli, Mattia (eds.) (2009) The issues: in contemporary culture and aesthetics. Issues Series, 2&3 . Nerve, Ltd., London, UK. ISBN 978-0955003721

Golding, Sue and Kennedy, Stephen ORCID: 0000-0003-1119-9505 (2008) All's fair in love and war: the thinking robot's guide to the universe reception. In: [machine] body.gender.technology, 15-16 Feb 2008, The Frei University of Berlin. (Unpublished)

Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.

Stoppani, Teresa (2005) Dusty stories of woman. Notes for a re-definition of dust. In: Golding, Sue, (ed.) The issues (In contemporary culture and aesthetics). Nerve, Ltd, London, UK, pp. 125-132. ISBN 0955003709

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