Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2022) ‘Creating change where it matters the most’: artistic directorship and representation in the London theatre. Comparative Drama, 56 (1-2). pp. 199-226. ISSN 0010-4078 (doi:10.1353/cdr.2022.0008)

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2013) ‘The Artist is the Hero of the Story’: Harold Pinter's Moonlight as a case study in reception. New Theatre Quarterly, 29 (3). pp. 209-219. ISSN 0266-464X (Print), 1474-0613 (Online) (doi:10.1017/S0266464X13000419)

Lilley, Heather and Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2013) Reperforming memories: Using the reminiscence theatre archive as a resource for new intergenerational work. Journal of Applied Arts & Health, 4 (2). pp. 191-205. ISSN 2040-2457 (Print), 2040-2465 (Online) (doi:10.1386/jaah.4.2.191_1)

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2009) Pinter as celebrity. In: Raby, Peter, (ed.) The Cambridge Companion to Harold Pinter. Cambridge University Press, Cambridge, UK, pp. 266-282. ISBN 9780521886093 (doi:10.1017/CCOL9780521886093.017)

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 and Hodson, Loveday (2008) Performing injustice: human rights and verbatim theatre. Law and Humanities, 2 (2). pp. 191-211. ISSN 1752-1483

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2008) [In Backpages 18.1] The culture of new writing. Contemporary Theatre Review, 18 (1). pp. 131-134. ISSN 1048-6801 (Print), 1477-2264 (Online) (doi:10.1080/10486800701868254)

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2008) Pinter and style. Brand Literary Magazine, 2 (Autumn). pp. 107-111. ISSN 1754-0593

Derbyshire, Harry ORCID: https://orcid.org/0000-0002-1373-1166 (2007) Roy Williams: representing multicultural Britain in Fallout. Modern Drama, 50 (3). pp. 414-434. ISSN 0026-7694 electronic 1712-5286