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Items where Greenwich Author is "Patel, Amit Dinesh"

Items where Greenwich Author is "Patel, Amit Dinesh"

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Jump to: Anthropology, Sound, Noise, Sound Art, Philosophy, fine art, Experimental Music, Field Recording, Electroacoustic Music, music, composition, Sound Studies, | Avartan, Dushume, Nonclassical, Harsh Bass, Deep Noise, Noise, Noise Music, Harsh Noise, Bass Culture, Bass Shaker, Glitch, Sound Art, Experimental Sound, Electronic Music, Experimental Noise, Live Electronics, Disruptive Frequencies | Chakria; Dushume; harsh bass; deep noise; noise music; bass culture; Bass Shaker; glitch; sound art; experimental noise; Disruptive Frequencies | Cultural Diversity, Experimental Sound, Global South, Music Technology, Representation, | Dirty Electronics; Dushume; DIY electronics; noise music; sound art; studio bench; bass shaker; DIY nomad; noise selector; bass culture; harsh noise; DIY Music; glitch; sound installation, marginalised frequencies | Disruptive Frequencies; Dushume; NikNak; Nicole Raymond; Bantu; Gary Stewart; Poulomi Desai; Nikki Sheth | Dushume, Control Voltage, Harsh Noise, Deep Bass, Music, Performance, Sound, Bass, Culture, Glitch, Sound Art, | Dushume; Iklectik; live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art | Dushume; experimental sound; Noise; bass culture; sound art; Live electronics; DIY Electronics; glitch; noise selector | Dushume; harsh bass; deep noise; harsh noise; bass culture; bass shaker; glitch; sound art; experimental noise; electronic music | Iklectik; nonclassical; Dushume; Iklectika; experimental sound; harsh bass; deep noise; glitch; sound installation; DJ Set; bass culture; harsh noise; electronic music; Bass Shaker; Disruptive Frequencies | Iklectika, Iklectik, Nonclassical, Dhangsha, Nonclassical, Dushume, Talk, Panel Discussion, Harsh Bass, Experimental Noise, Experimental Sound, Experimental Music, Glitch, Sound Art, Harsh Noise, Live Electronics | Radical Nails Sound(-Making) Object | artefact; deep; bass; noise; harsh bass; Deep Noise; Birmingham; Live electronics; glitch; sound art | bassial audio; spatial audio; noise; noise music; harsh noise; sound art; sound artist; experimental sound; experimental noise; bass culture; deep noise; Dushume | cultural diversity; Global South; diasporia; interventions; experimental sound; music; sound art; race; listen; voices | datapanic; live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; composition; sound; experimental sound | deep; bass; noise; harsh bass; Deep Noise; Noise Music; bass culture; BassShaker; glitch; sound art; experimental noise; Live electronics; Dushume | dirty electronics; Dushume; harsh noise; deep bass; sound installation; vibration; clusters; noise; noise music; sound art; experimental sound; experimental noise; installation; live electronics; speakers; horns; sound objects; clicks; | dirtyelectronics; Dushume; experimental sound; noise; noise music; live electronics; sound installation; gallery sound; experimental noise | electroacoustic music; acousmatic; sound diffusion; spatial audio, noise music; spatial compositions; deep bass; bass culture, glitch | experimental sound, noise, improvisation, electroacoustic music, race, diversity | experimental sound,; diversity; live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art | live electronics; experimental sound; noise; noise music; harsh noise; recording; sound; music; electroacoustic, glitch; bass culture; sound art; sound recording experimentation | live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; experimentation | live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; performance | live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; performance; edit; version | live electronics; performance; experimental sound; noise; noise music; harsh noise; glitch; bass culture; sound art; performance art; theatre | noise; noise music; bass culture; harsh noise; sound art; performance; composition; music; sonic art | nonclassical; Disruptive Frequencies; Dushume; spatial audio; surround sound; Deep Noise; harsh bass; glitch | performance; experimental sound; live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; experimentation, DIY electronics; art gallery; space | sound; image; exhibition; sound artist; sound art; noise; noise music; harsh noise; bass culture; Dushume | sound; sound Art; sound artist; noise; Noise Music; harsh noise; bass culture; Dushume; experimental sound; experimental noise; Live electronics | vibration; haptic; bass; experimental sound; deep bass; vibrating floor; sound installation; Dushume; Simon Atkinson | vibrotactile; vibration; deep bass; bass culture; sound installation; Dushume; Simon Atkinson; frequency; rhythm; electroacoustic music; lowercase; experimental sound
Number of items: 35.

Anthropology, Sound, Noise, Sound Art, Philosophy, fine art, Experimental Music, Field Recording, Electroacoustic Music, music, composition, Sound Studies,

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Sound programme: the sounds that bring us together - Boo Su. In: EASA2022: Transformation, Hope and the Commons: Sound Programme: The Sounds that Bring us Together. Panel P122b at conference, 27th July 2022, School of History, Anthropology, Philosophy and Politics at Queen’s University Belfast.

Avartan, Dushume, Nonclassical, Harsh Bass, Deep Noise, Noise, Noise Music, Harsh Noise, Bass Culture, Bass Shaker, Glitch, Sound Art, Experimental Sound, Electronic Music, Experimental Noise, Live Electronics, Disruptive Frequencies

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Avartan. [Composition]

Chakria; Dushume; harsh bass; deep noise; noise music; bass culture; Bass Shaker; glitch; sound art; experimental noise; Disruptive Frequencies

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria. [Composition]

Cultural Diversity, Experimental Sound, Global South, Music Technology, Representation,

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Exploring cultural diversity in experimental sound at rethinking the history of technology based music. In: Rethinking the History of Technology-based Music, 9th - 11th June 2022, University of Huddersfield.

Dirty Electronics; Dushume; DIY electronics; noise music; sound art; studio bench; bass shaker; DIY nomad; noise selector; bass culture; harsh noise; DIY Music; glitch; sound installation, marginalised frequencies

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: Dushume and Dirty Electronics
limited edition White Label cassette tape EP. [Artefact]

Disruptive Frequencies; Dushume; NikNak; Nicole Raymond; Bantu; Gary Stewart; Poulomi Desai; Nikki Sheth

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies. [Artefact]

Dushume, Control Voltage, Harsh Noise, Deep Bass, Music, Performance, Sound, Bass, Culture, Glitch, Sound Art,

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Feast or Famine - Control Voltage 16. [Creative Performance or Reading]

Dushume; Iklectik; live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume [DJ Set] @ Iklectika 2022. [Creative Performance or Reading]

Dushume; experimental sound; Noise; bass culture; sound art; Live electronics; DIY Electronics; glitch; noise selector

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2024) Shifting Monoliths: Unstable Noise and Bass. [Creative Performance or Reading]

Dushume; harsh bass; deep noise; harsh noise; bass culture; bass shaker; glitch; sound art; experimental noise; electronic music

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Kiln. [Composition] (Unpublished)

Iklectik; nonclassical; Dushume; Iklectika; experimental sound; harsh bass; deep noise; glitch; sound installation; DJ Set; bass culture; harsh noise; electronic music; Bass Shaker; Disruptive Frequencies

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Disruptive Frequencies Dushume DJ set: Iklectika 2023. [Audio]

Iklectika, Iklectik, Nonclassical, Dhangsha, Nonclassical, Dushume, Talk, Panel Discussion, Harsh Bass, Experimental Noise, Experimental Sound, Experimental Music, Glitch, Sound Art, Harsh Noise, Live Electronics

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X, Das, Aniruddha and Keating, Marcella (2023) Disruptive Frequencies Talk with experimental artist Aniruddha Das (Dhangsha) and Marcella Keating. In: Iklectika, 8th - 9th July 2023, Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG.

Radical Nails Sound(-Making) Object

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii. [Composition]

artefact; deep; bass; noise; harsh bass; Deep Noise; Birmingham; Live electronics; glitch; sound art

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise ii. [Creative Performance or Reading]

bassial audio; spatial audio; noise; noise music; harsh noise; sound art; sound artist; experimental sound; experimental noise; bass culture; deep noise; Dushume

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Bassial Audio. [Creative Performance or Reading]

cultural diversity; Global South; diasporia; interventions; experimental sound; music; sound art; race; listen; voices

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Throwing a stone into the pond. In: SOUNDINGS: ASSEMBLIES OF LISTENINGS AND VOICES ACROSS THE SOUTHS, 21st - 25th August 2022, AKADEMIE DER KÜNSTE Hanseatenweg, Berlin. (Unpublished)

datapanic; live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; composition; sound; experimental sound

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2021) Dushume - Cultaural Fettish (2021) – 1’. [Composition]

deep; bass; noise; harsh bass; Deep Noise; Noise Music; bass culture; BassShaker; glitch; sound art; experimental noise; Live electronics; Dushume

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Deep Bass Noise i. [Creative Performance or Reading]

dirty electronics; Dushume; harsh noise; deep bass; sound installation; vibration; clusters; noise; noise music; sound art; experimental sound; experimental noise; installation; live electronics; speakers; horns; sound objects; clicks;

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise: experimental sound and deep bass exhibition. [Show/Exhibition]

dirtyelectronics; Dushume; experimental sound; noise; noise music; live electronics; sound installation; gallery sound; experimental noise

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X and Richards, John (2023) Interrogating the noise. [Creative Performance or Reading]

electroacoustic music; acousmatic; sound diffusion; spatial audio, noise music; spatial compositions; deep bass; bass culture, glitch

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Sound/Image: intersections. Premier of “Kiln”. [Creative Performance or Reading]

experimental sound, noise, improvisation, electroacoustic music, race, diversity

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2021) Exploring cultural diversity in experimental sound. Array, the journal of the International Computer Music Association (ICMA), 2021 (1):3. pp. 17-22. ISSN 2590-0056 (Online) (doi:10.25370/array.v20213269)

experimental sound,; diversity; live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Dushume Live @ Diverse Frequencies. [Creative Performance or Reading]

live electronics; experimental sound; noise; noise music; harsh noise; recording; sound; music; electroacoustic, glitch; bass culture; sound art; sound recording experimentation

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su (2021). [Composition] (Unpublished)

live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; experimentation

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Ealing Extranormal Volume 7. [Creative Performance or Reading]

live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; performance

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Skronktronic 38. [Creative Performance or Reading]

live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; performance; edit; version

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - EMOM. [Creative Performance or Reading]

live electronics; performance; experimental sound; noise; noise music; harsh noise; glitch; bass culture; sound art; performance art; theatre

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii - Runt of the Litter. [Creative Performance or Reading]

noise; noise music; bass culture; harsh noise; sound art; performance; composition; music; sonic art

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2021) BMS International Composition Competition - Boo Su (2021). [Creative Performance or Reading] (Unpublished)

nonclassical; Disruptive Frequencies; Dushume; spatial audio; surround sound; Deep Noise; harsh bass; glitch

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Chakria Live - Performance at Kings Place, London. [Creative Performance or Reading]

performance; experimental sound; live electronics; noise; noise music; harsh noise; glitch; bass culture; sound art; experimentation, DIY electronics; art gallery; space

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2022) Lasurnii – BEAST @ Centrala (2022). [Creative Performance or Reading]

sound; image; exhibition; sound artist; sound art; noise; noise music; harsh noise; bass culture; Dushume

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2021) Boo Su 5’10” (2021), Cultaural Fetish 1′ (2021), and PhliKr 9’43 (2020) by Dushume - SOUND/IMAGE ’21 Exhibition. [Show/Exhibition]

sound; sound Art; sound artist; noise; Noise Music; harsh noise; bass culture; Dushume; experimental sound; experimental noise; Live electronics

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X (2023) Gaumukh/Cow's Mouth Sound Installation. [Show/Exhibition]

vibration; haptic; bass; experimental sound; deep bass; vibrating floor; sound installation; Dushume; Simon Atkinson

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone. [Show/Exhibition]

vibrotactile; vibration; deep bass; bass culture; sound installation; Dushume; Simon Atkinson; frequency; rhythm; electroacoustic music; lowercase; experimental sound

Patel, Amit Dinesh ORCID logoORCID: https://orcid.org/0000-0002-6328-240X and Atkinson, Simon (2023) Undertone II. [Show/Exhibition]

This list was generated on Sun Dec 22 01:44:31 2024 UTC.