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Items where Greenwich Author is "Stenke, Dr. Katarina"

Items where Greenwich Author is "Stenke, Dr. Katarina"

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Jump to: Edward Young, Anne Steele, graveyard poetry, gender, history of time, history of religion, history of poetry and poetics, eighteenth-century nonconformity | Eighteenth century; Poetry; James Thomson; The Seasons; Allusion; Maze; Labyrinth; Garden; Landscape; Georgic; Milton; Ovid | James Thomson; The Seasons; Statues; texts; adaptation; Sculpture; Rossi | Lancelot Addison, Joseph Addison, Tangiers, Commerce, Orientalism, Anglicanism, Enlightenment | Phillis Wheatley Peters, Early Black Atlantic, elegy, women's poetry, devotional verse, voice, address, eighteenth-century poetry | Phillis Wheatley Peters, elegy, poetics, death, gender | conviviality, form, sublime, eighteenth century poetry, the sublime, poetics | conviviality; architecture; writing; literature; design; critical thinking | eighteenth-century poetry, the sublime, creatures, Alexander Pope, twentieth-century women's poetry | impoliteness; periodicals; eighteenth-century | periodical essays; orientalism; The Spectator
Number of items: 11.

Edward Young, Anne Steele, graveyard poetry, gender, history of time, history of religion, history of poetry and poetics, eighteenth-century nonconformity

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2018) Dissenting from Edward Young’s Night Thoughts: christian time and poetic metre in Anne Steele’s graveyard poems. Journal for Eighteenth-Century Studies, 41 (2):JECS12534. pp. 273-288. ISSN 1754-0194 (Print), 1754-0208 (Online) (doi:10.1111/1754-0208.12534)

Eighteenth century; Poetry; James Thomson; The Seasons; Allusion; Maze; Labyrinth; Garden; Landscape; Georgic; Milton; Ovid

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2014) ‘Devolving through the maze of eloquence’: James Thomson’s The seasons and the eighteenth-century verse labyrinth. Journal for Eighteenth Century Studies, 39 (1):1. pp. 5-23. ISSN 1754-0208 (Online) (doi:10.1111/1754-0208.12248)

James Thomson; The Seasons; Statues; texts; adaptation; Sculpture; Rossi

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2014) "The well-dissembled mourner": lightning's (dis)course in the still lives of Thomson's "Celadon and Amelia". Studies in the Literary Imagination, 46 (1). pp. 19-46. ISSN 0039-3819 (Print), 2165-2678 (Online) (doi:10.1353/sli.2013.0007)

Lancelot Addison, Joseph Addison, Tangiers, Commerce, Orientalism, Anglicanism, Enlightenment

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2017) A literary progenitor: Lancelot Addison, father of the more famous Joseph. In: Corfield, Penelope J. and Hanan, Leonie, (eds.) Hats Off, Gentlemen! Changing Arts of Communication in the Eighteenth Century: Arts de communiquer au dix-huitième siècle. Lumières internationales . Honoré Champion, Paris, pp. 129-147. ISBN 978-2745344366

Phillis Wheatley Peters, Early Black Atlantic, elegy, women's poetry, devotional verse, voice, address, eighteenth-century poetry

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2026) Chapter 11. “Suspend the Sigh, dear Sir”: Politics of voice and address in two elegies by Phillis Wheatley Peters. In: McCaskill, Barbara, Narain, Mona and Robbins, Sarah Ruffing, (eds.) The Lives, Writings, and Legacies of Phillis Wheatley Peters. Edinburgh University Press, Edinburgh. (In Press)

Phillis Wheatley Peters, elegy, poetics, death, gender

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Crowded elegies: Phillis Wheatley Peters’ critique of identity. In: Oxford Talks: Eighteeth-Century Literature and Culture Research Seminar, University of Oxford, 20th February, 2024, Mansfield College, University of Oxford. (Unpublished)

conviviality, form, sublime, eighteenth century poetry, the sublime, poetics

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Notes on inflated space (LCCT 2024 conference paper). In: LCCT 2024: 11th annual London Conference in Critical Thought (LCCT), 28th - 29th June, 2024, University of Greenwich, London.

conviviality; architecture; writing; literature; design; critical thinking

Rabourdin, Caroline ORCID logoORCID: https://orcid.org/0000-0002-9694-0384, Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 and Jobst, Marko (2024) Convivial spaces: forms and figures of encounter in writing and architecture. In: LCCT 2024: 11th annual London Conference in Critical Thought (LCCT), 28th-29th June 2024, University of Greenwich, London.

eighteenth-century poetry, the sublime, creatures, Alexander Pope, twentieth-century women's poetry

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2024) Notes on inflated space. In: Convivial Spaces: Figures and Forms of Hospitality, 24th July, 2024, University of Greenwich. (Unpublished)

impoliteness; periodicals; eighteenth-century

Smith, Adam James, Jones, Emrys D. and Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2026) Introduction. In: Jones, Emrys D., Smith, Adam James and Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826, (eds.) Impolite Periodicals. Bucknell University Press, Lewisburg, PA, pp. 3-28. (In Press)

periodical essays; orientalism; The Spectator

Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826 (2026) Chapter 4. Polite impostures: Addison’s Orientalist Spectators. In: Jones, Emrys D., Smith, Adam James and Stenke, Katarina ORCID logoORCID: https://orcid.org/0000-0003-4006-3826, (eds.) Impolite Periodicals. Bucknell of University Press, Lewisburg, Pennsylvania, pp. 76-101. (In Press)

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