Karen Barad; Henri Bergson; philosophy; performance; memory; memory theatre; poetry; artistic research

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) If one looks closely at an edge: four dances remembered. In: Bayley, Annouchka and Chan, JJ, (eds.) Diffracting New Materialisms: Emerging Methods for Artistic Research. Palgrave Macmillan, London. (In Press)

Performance, Research, Andy Smith johnsmith, Elizabeth Grosz, Manuel DeLanda, Judith Butler, Hannah Arendt

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2019) Notes towards a theatre of assemblages. Performance Research, 24 (4). pp. 28-34. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1641320)

Performance, Research, Animism, Intuition, Duration, Claude Cahun, Ana Mendieta, Cassils, Isanbelle Stengers, Henri Bergson, John Berger, Elizabeth Grosz

Bowes, Simon ORCID: 0000-0002-9189-0322 (2019) Dirt in the lens: on matter and memory in photographic performance. Performance Research, 24 (6). pp. 38-46. ISSN 1352-8165 (Print), 1469-9990 (Online) (doi:https://doi.org/10.1080/13528165.2019.1686583)

Tim Spooner; Baruch Spinoza; Gilles Deleuze; occupation; territory

Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2022) An art like nature: theatre environment as territory in Tim Spooner performances. Journal of Contemporary Drama in English, 10 (1). pp. 1-15. ISSN 2195-0156 (Print), 2195-0164 (Online) (doi:https://doi.org/10.1515/jcde-2022-0005)

mistake, error, miscommunication, method, performance, practice-research, practice-as-research, Russian Formalism, defamiliarisation, enstrangement

Korolkova, Maria ORCID: 0000-0002-1784-3675 and Bowes, Neil Simon ORCID: 0000-0002-9189-0322 (2020) Mistake as method: Towards an epistemology of errors in creative practice and research. NECSUS. European Journal of Media Studies (NECSUS). ISSN 2213-0217 (Online)