3D audio; web audio; ambisonics; browser; practice; survey

McArthur, Angela, van Tonder, Cobi, Gaston-Bird, Leslie and Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) A survey of 3D audio through the browser: practitioner perspectives. In: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 8-10 September 2021. Bologna, Italy (online). IEEE Xplore . Institute of Electrical and Electronics Engineers (IEEE), Piscataway, New Jersey, pp. 1-10. ISBN 978-1665409988 ; 978-1665409995 (doi:10.1109/I3DA48870.2021.9610839)

Electroacoustic, Music, Concrete, Recordings, Sound

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2013) Abstracted Journeys. [Composition]

Electroacoustic, Sound, Quiet, NOTAM, Music

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 Stille Lyd: Part I – NOTAM. [Composition]

Electroacoustic, Sound, Quiet, NOTAM, Music, Norway

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Stille Lyd: Part II – Høvringen. [Composition]

Expanded Cinema, Film, Sound, Performance, art, music, installation

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2018) Gestalt und Bewegung. [Show/Exhibition]

Expanded cinema; Electroacoustic music; Sonic art

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Music, sound, audience, interpretation, electroacoustic, perception, phenomenology

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Dots/Digits: Action/Reaction. In: IMR - Institute for Musical Research, 7 April 2016, Sheffield, UK. (Unpublished)

Post-acousmatic; Sound image; Sound design; Performance; Electroacoustic; Music

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Projections. [Composition] (Unpublished)

Sound, Music, Pedagogy, electroacoustic,

Landy, Leigh, Younie, Sarah, Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Wolf, Motje (2014) The EARS 2 pedagogical project - an eLearning environment to introduce learners to sound-based music. In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: Researching Music, Education, Technology: Critical Insights. International Music Education Research Centre (iMerc), pp. 129-134. ISBN 978-1905351299

Sound, map, locative, location, augmented, recordings, past, history, soundscapes, electroacoustic

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2014) Sounds of the Cultural Quarter - Application. [Artefact]

Sound; Listening; Context-based composition; Composition; Context; Virtual; Real; Abstract; Concrete; Mimetic

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

Sound; Music; Soundtrack; Composition; Noise; LUX; Experimental film

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Headgear (soundtrack). [Composition] (Unpublished)

Sound; Soundtrack; LUX; Film; Experimental film; Noise; Music; Sound-image

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Washi (soundtrack). [Composition]

Soundtrack; Sound; Noise; Music; Composition

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) House (soundtrack). [Composition] (Unpublished)

audience; electroacoustic; multichannel concerts; performance

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Theatres of sounds: The role of context in the presentation of electroacoustic music. Scene, 6 (2). pp. 165-175. ISSN 2044-3714 (doi:10.1386/scene_00016_1)

audiovisual, electroacoustic, non-place, space, experimental, film

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) VOID. [Composition]

audiovisual, expanded cinema, performance, film, sound

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Hobbs, James (2017) (I)MAGESOUND(S) - expanded audiovisual practice. eContact!, 19 (2).

audiovisual, music, visual music, electroacoustic, audience, interpretation, phenomena, perception, composition

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2016) Unpacking audiovisual phenomena. In: Seeing Sound - Four (Practice-Led Research Symposium), 9-10 April 2016, Bath Spa University, UK. (Unpublished)

choir; ancient Babylonian; Sumerian; Akkadian; soundscape; music; choral; climate emergency

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2022) Atra-Hasis. [Composition]

electroacoustic, ambisonics, third order, trumpet, performance

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 1st Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

electroacoustic, ambisonics, third order, trumpet, performance,

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Effluvial States - 2nd Mvmnt. - Spectral Spaces. [Composition] (Unpublished)

exhibition, digital/analogue, exhibition practices, artistic practices, research

Papadaki, Elena ORCID: https://orcid.org/0000-0002-6653-4334, Arfaras, Mihalis, Schizakis, Stamatis, Garcia, Carla Ambrósio, Dare, Eleanor, Beveridge, Patrick, Hobbs, James, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Menotti, Gabriel, Ploeger, Dani, Samson, Audrey, Borras, Michael (a.k.a. Systaime), Krajewska, Klio and Talbot, Michael ORCID: https://orcid.org/0000-0001-7198-1422 (eds.) (2020) Exhibiting the Analogue, Exhibiting the Digital: Afterthoughts on an exhibition. University of Greenwich Galleries / Incandescent Square, London. ISBN 978-0957343047

film, Apollo 12, spectroscopy, hydrogen alpha, sound, trumpet, electroacoustic, sound design.

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fitzpatrick, Tim and Williams, Bede (2019) We Choose to go to the Moon. [Composition] (Unpublished)

film, soundtrack, electroacoustic, recording, sound design, gong, experimental film

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Leister, David (2019) GONG. [Composition]

performance; composition; soundscape; Babylonian; climate emergency; theatre

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Farquhar, Angus, Morell, Purni, Johnson, James and Sinclair, Cameron (2021) Over Lunan (presentation of performance). [Creative Performance or Reading]

radiophonic; electroacoustic; composition; radio; documentary; drama; climate emergency

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Morell, Purni, Angus, Farquhar and Ross, Charlie (2021) Over Lunan (Radio Documentary). [Play, Short Story or Poetry]

score

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Chase. [Composition] (Unpublished)

sound, film, diegesis, mimesis, realism, naturalism, narrative, gravity, Dunkirk, coccolith

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Sonic diegesis: reality and the expressive potential of sound in narrative film. Quarterly Review of Film and Video, 36 (8). pp. 643-665. ISSN 1050-9208 (Print), 1543-5326 (Online) (doi:10.1080/10509208.2019.1593027)

sound, heritage, listening, museums, oral history, soundscape, heritage, soundscape studies, Chatham Historic Dockyard

Pasoulas, Aki, Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Martin, Brona ORCID: https://orcid.org/0000-0003-2541-6996 (2023) Sonic heritage: listening to the past. In: (In)tangible Heritage(s): Design, culture and technology – past, present, and future. AMPS, University of Kent. 15th - 17th June, 2022. AMPS Proceedings Series, 29 (1). Architecture Media Politics Society (AMPS), Canterbury, pp. 133-138. ISSN 2398-9467

sound, image, audiovisual, art, music

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (ed.) (2020) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271466

sound, spatial audio, surround, context, theatre, performance, loudspeaker orchestra, multichannel diffusion.

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2015) Theatres of Sounds: the role of context in the presentation of electroacoustic music. In: inSonic 2015, 26 - 28 Nov 2015, Karlsruhe, Germany. (Unpublished)

sound; composition; music; space; exploration; NASA; immersive; multichannel

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) Through an Ocean of Storms. [Composition]

sound; image; expanded cinema; international exhibition; concert

Hobbs, James and Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2023) "Polarities/Polaridades". [Show/Exhibition]

sound; sound design; music; electroacoustic music; audiovisual; creativity

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Margetson, Emma ORCID: https://orcid.org/0000-0002-1054-1973 (2023) Art of sound: creativity in film sound and electroacoustic music. Sound Design . Focal Press - Routledge, London. ISBN 978-0367755881; 978-1003163077

soundscape; oral history; history; heritage; museums; electroacoustic

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Martin, Brona and Pasoulas, Aki (2021) Whispers of the Past. [Composition]

soundtrack, silent film, bauer, contemporary composition,

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 and Bauer, Evgenii (2019) Child of the Big City - Silent Film Composition. [Composition]

soundtrack; string quartet; composition; immersive audio; ambisonics

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2021) Gherstl's Ghost - Original Soundtrack. [Composition]

space, audiovisual, sound, image, affect, composition

Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2020) Audiovisual spaces: spatiality, experience and potentiality in audiovisual composition. In: Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, (ed.) Sound & Image: Aesthetics and Practices. Sound Design . Routledge, London, UK. ISBN 978-0367271473 (doi:10.4324/9780429295102-4)

space, audiovisual, texture, gesture, Ramsgate, Coccolith

Brown, Christopher and Knight-Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396 (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice & Education, 19 (3). pp. 313-325. ISSN 2574-1136 (Print), 2574-1144 (Online) (doi:10.1080/25741136.2018.1519989)

spatial audio, surround sound, immersive media, electroacoustic music, sound art, ambisonics, object based audio.

Hill, Andrew ORCID: https://orcid.org/0000-0003-1521-0396, Fairfield, Paula and Martin, Brona (2019) Immersive Hypperreal Soundscapes: applying practice-based methods to interrogate novel multichannel sound formats. [Show/Exhibition]