'Don't Look Now', adaptation, Daphne du Maurier, narration, narrative voice, Allan Scott, Nicolas Roeg, palimpsest, genetic criticism

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2013) Don't Look Now: The screenwork as palimpsest. Journal of Screenwriting, 4 (2). pp. 163-177. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:10.1386/josc.4.2.163_1)

Co-design, Video games, Narrative, Game design, Educational games, Serious games, Participatory design

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 and Flynn, Ryan (2015) Explicit and implicit narratives in the co-design of videogames. In: Full Papers/Proceedings of the Digital Research in the Humanities and Arts Conference, DRHA2014, London. University of Greenwich, London, UK, pp. 73-80. ISBN 9781326388584

Personal video recording (PVR), User evaluation, Fieldwork documentation, Reflexive archaeology, Archeological method

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Chrysanthi, Angeliki, Berggren, Asa, Earl, Graeme P. and Knibbe, Jarrod (2016) The camera "at the Trowel's Edge": Personal video recording in archaeological research. Journal of Archeological Method and Theory, 23 (1). pp. 238-270. ISSN 1072-5369 (Print), 1573-7764 (Online) (doi:10.1007/s10816-015-9239-x)

Publishing, Community, Public, Collaborative production, Productive consumer public, Intimate public, Wattpad, Sharing economy

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2017) Collaborative production and the transformation of publishing: The case of Wattpad. In: Graham, James and Gandini, Alessandro, (eds.) Collaborative Production in the Creative Industries. University of Westminster Press, London, UK, pp. 51-67. ISBN 978-1-911534-30-3 (doi:10.16997/book4.d)

Publishing, writing, mobile publishing, media agility, digital storytelling, reader communities, multi-media publishing

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 and Sorrentino, Miriam ORCID: https://orcid.org/0000-0003-1198-4562 (2019) Publishing and Digital Culture: Agility, Community, Collaboration. Creative Conversations, 1 . The Stephen Lawrence Gallery, University of Greenwich. ISBN 978-0-9573430-2-3

Research, Archaeology, Human computer interaction

Earl, Graeme, Boddington, Anne, Chrysanthi, Angeliki, Dade-Robertson, Martyn, Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Frankland, Tom, Fraser, Mike, Jones, Matt and Moreau, Luc (2010) PATINA: Personal architectonics of INteractions with artefacts. In: Digital Futures, 11-12 October 2010, Nottingham, UK.

Sims, narrative, adaptation, videogames

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2010) Adapting the sims: strategies of reading and writing in new narratives. In: Association of Adaptation Studies Annual Conference, 30 Sep - 1 Oct 2010, Berlin, Germany. (Unpublished)

adaptation, Nicolas Roeg, Daphne du Maurier, 'Don't Look Now', Allan Scott, Chris Bryant

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2010) Don’t look now: adapting prose narrative for the screen. In: Screenwriting - History, Theory and Practice, 9-11 Sep 2010, Copenhagen, Denmark. (Unpublished)

archive, database, electronic texts, index, narrative, information services, e-books, web publishing, educational technology,

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2008) Narrating the archive and archiving narrative: the electronic book and the logic of the index. International Journal of the Book, 5 (3). pp. 45-56. ISSN 1447-9516 (Print), 1447-9567 (Online)

authorship; collaboration; screenwriting; script development; idea development; homophily

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2023) Collaboration, cooperation and authorship in screenwriting aka how many people does it take to create an author? In: Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Russo, Paolo and Tieber, Claus, (eds.) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . Palgrave, Cham, pp. 73-92. ISBN 978-3031207693 (doi:10.1007/978-3-031-20769-3_4)

creative industries, media

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 and Sigthorsson, Gauti (2013) Introducing the creative industries: from theory to practice. SAGE Publications Ltd., London, UK. ISBN 978-1849205733

diversity; unconscious bias; television

Brown, Lucy, Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 and Oyebanjo, Anuoluwapo Olufunke ORCID: https://orcid.org/0000-0002-6655-9726 (2022) Recognising and addressing unconscious bias and structural inequalities: a case study within television idea development. Alphaville Journal of Film and Screen Media, 8 (24):6. pp. 97-117. ISSN 2009-4078 (doi:10.33178/alpha.24.06)

flash fiction; story cities; design; publication; narrative

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Potts, Cherry and Rehal, Kam (eds.) (2019) Story Cities: A City Guide for the Imagination. Arachne Press, UK. ISBN 978-1909208780

flash fiction; short fiction; city; chronotope; book design; locative narrative

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Rehal, Kam and Potts, Cherry (2022) Locative narratives and storied cities. Writing in Practice: the journal of creative writing research, 7:6. pp. 56-72. ISSN 2058-5535 (Online)

hypertext, fractal, fractal narratives, hypertext poetics

Hargood, Charlie, Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Millard, David E., Taylor, Matt R. and Brooker, Samuel (2012) Exploring (the poetics of) strange (and fractal) hypertexts. In: Hypertext 2012: Proceedings of the 23rd ACM Conference on Hypertext and Social Media. Association for Computing Machinery (ACM Inc.), New York, USA, pp. 181-186. ISBN 978-1-4503-1335-3 (doi:10.1145/2309996.2310027)

interaction architectonics, wearable computing, research space, research, archeology, human computer interaction,

Fraser, Mike, Boddington, Anne, Dade-Robertson, Martyn, Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Earl, Graeme, Jones, Matt and Moreau, Luc (2010) PATINA: personal architectonics of INteraction with artefacts. In: Digital Futures, 11-12 Oct 2010, Nottingham, UK. (Unpublished)

mixed media, narrative, memory,

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2007) Index of love. [Artefact]

narrative, archive, database, digital media, love

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2010) Index of love. [Show/Exhibition]

narrative, hero's journey, creative, creativity, business

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2015) Narrative as creative quest: the hero's journey and its alternatives. In: Reisman, Fredericka, (ed.) KIE Handbook of Creativity. KIE Conference Books . KIE Conference, pp. 79-96.

narrative, research

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2011) Narrative analysis and the design of technologies to support research. In: Hypertext 2011 Narrative Workshop, 6 Jun 2011, Eindhoven, The Netherlands.

narrative, transmedia, linked data, modeling

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Jewell, Michael and Rissen, Paul (2013) Adapting historical drama for the web: a model for metadata backed publishing of historical drama programmes. In: NHT'13: Narrative and Hypertext at the ACM Hypertext Conference Proceedings. ACM Digital Library, pp. 1-4.

publishing, small presses, editing, writing, reading, books, creative industries

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2020) Small presses and their reader communities. In: Colby, Georgina, Marczewska, Kaja and Wilson, Leigh, (eds.) The Contemporary Small Press: Making Publishing Visible. New Directions in Book History . Palgrave Macmillan, Basingstoke, UK. ISBN 978-3030487836

research, time, space, timespace, creative practice,

Balaam, Madeline, Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Dade-Robertson, Martyn and Fraser, Mike (2014) It usually takes three of us, a few beers and a lot of imagination: a qualitative exploration of what it means and takes to do research. In: Williams, Alison, Jones, Derek and Robertson, Judy, (eds.) BITE: Recipes for Remarkable Research. Sense Publishers, Rotterdam / Boston / Taipei, pp. 14-23. ISBN 978-94-6209-584-7

screenwriting, Marguerite Duras, Hiroshima Mon Amour, script, memory, narrative

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2010) Screenwriting strategies in Marguerite Duras's script for 'Hiroshima, Mon Amour' (1960). Journal of Screenwriting, 1 (1). pp. 149-173. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:10.1386/josc.1.1.149/1)

screenwriting, narrative, Bakhtin, dialogism

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2011) Dialogism and the Screenplay. In: Beyond Boundaries: Screenwriting Across Media, Fourth Screenwriting Research Network International Conference, 8-10 Sep 2011, Brussels, Belgium. (Unpublished)

screenwriting, screenplays, video games,

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2009) The role of the screenwriter and screenplay in the conceptualisation process of videogames. In: Rethinking Screenwriting, 10-12 Sep 2009, Helsinki, Finland. (Unpublished)

screenwriting, screenwriting studies, screenwriting research, script development, screenplay

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271, Russo, Paolo and Tieber, Claus (eds.) (2023) The Palgrave Handbook of Screenwriting Studies. Palgrave Handbooks . The Palgrave Handbook of Screenwriting Studies, Cham. ISBN 978-3031207693

screenwriting, scriptwriting, screenplay, script, boundary object, writing, collaboration

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2019) The screenplay as boundary object. Journal of Screenwriting, 10 (2). pp. 149-164. ISSN 1759-7137 (Print), 1759-7145 (Online) (doi:10.1386/josc.10.2.149_1)

script development, screenwriting, scriptwriting, co-production, creativity, collaboration, writing, television, television series, television production

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2020) Nordic noir with an Icelandic twist: Establishing a shared space for collaboration within European co-production. In: Batty, Craig and Taylor, Stayci, (eds.) Script Development: Critical Approaches, Creative Practices, International Perspectives. Palgrave Macmillan, Basingstoke, UK. ISBN 978-3030487126

television, production, television production, co-production, global television, collaboration

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2019) Trapped: a case study in international co-production. In: Batty, C., Berry, M., Dooley, K., Frankham, B. and Kerrigan, S., (eds.) The Palgrave Handbook of Screen Production. Palgrave Macmillan, pp. 281-291. ISBN 978-3030217433 (doi:10.1007/978-3-030-21744-0_22)

unconscious bias; ideas development; diversity; media

Oyebanjo, Anuoluwapo Olufunke ORCID: https://orcid.org/0000-0002-6655-9726, Brown, Lucy and Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2021) Teaching media production: understanding unconscious bias in creative idea development. Media Education Research Journal, 10 (1&2). pp. 1-11. ISSN 2754-0073 (Online) (doi:10.5281/zenodo.5763747)

video texts, intimacy,

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2009) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Ephemeral Media Workshop, 23-24 Jun 2009, Nottingham University. (Unpublished)

video texts, intimacy, digital media, ephemeral media, youtube

Davies, Rosamund ORCID: https://orcid.org/0000-0001-8645-8271 (2011) Digital intimacies: aesthetic and affective strategies in the production and use of online video. In: Grainge, Paul, (ed.) Ephemeral Media: Transitory Screen Culture from Television to YouTube. Palgrave Macmillan, Basingstoke, UK, pp. 214-227. ISBN 9781844574353