Autobiography, African-American literature, Transnationalism, Nationalism

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2009) 'From margin to centre: Postcolonial identities and Barack Obama's "Dreams from My Father"'. In: Lives in Relation Life Writing Conference, 30 October 2009, University of Lincoln, Lincoln. (Unpublished)

Barack Obama, postcolonial, transnationalism, African-American, life writing, diaspora, identity, transnational

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2011) From margin to centre: Postcolonial identities and Barack Obama's Dreams from My Father. Life Writing, 8 (3). pp. 317-329. ISSN 1448-4528 (Print), 1751-2964 (Online) (doi:10.1080/14484528.2011.578343)

Diaspora, Internationalism, Modernism, Postcolonial, The sea

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2018) '"There are no paths in water": History, memory and narrative form in "Crossing the River" (1993) and "Foreigners: Three English Lives" (2007)'. In: Inhabiting the Voids of History: A Conference on Caryl Phillips, 23-24 May 2017, University of Caen, Normandy (ERIBIA - ERIAC).

Diaspora; Women's Writing; African-American Literature; African Writing; Caribbean Writing; Contemporary Theory

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (ed.) (2017) Global Morrison: Proceedings from the Global Morrison Conference, University of Greenwich, June 2017 and a Special Issue of Contemporary Women's Writing. Oxford University Press. (Submitted)

Feminist theory, Identity, Nationalism, Transnationalism

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2015) Diaspora, gender and agency in Toni Morrison's "Paradise". In: Diasporas, First Postcolonial Studies Association Convention, 11 - 13 September 2015, University of Leicester. (Unpublished)

Feminist theory, nineteenth and twentieth century women's literature

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2016) Reading Women's Writing. [Teaching Resource]

Globalisation, Diaspora theory, Feminism, African and African-American Writing

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2017) Global Morrison: Toni Morrison and the Transnation. In: Global Morrison: An International Conference, 27-28 June 2017, University of Greenwich, London. (Submitted)

Internationalism, Foucault, Gothic, Nationalism, Race

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2004) '"Outside the raced house": Language, heterotopia and diaspora politics in Toni Morrison's Paradise'. In: Gothic Voyages, 9 - 11 July 2004, The Mona Bismarck Centre, Paris. (Unpublished)

Ishiguro, gender, theory, postmodernism, narration, trauma, memory

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 and Matthews, Sean (2010) History, memory, and the construction of gender in Kazuo Ishiguro's A Pale View of Hills. In: Matthews, Sean and Groes, Sebastian, (eds.) Kazuo Ishiguro. Contemporary Critical Perspectives . Continuum International Publishing Group, London, UK, pp. 45-53. ISBN 9780826497239

Jean Rhys; Walter Benjamin; Consumption; Fashion; Identity; History

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2020) "Diasporic modernism: Memory, the object and Jean Rhys’s Good Morning, Midnight (1939)". In: Cuny, Noëlle and Kalck, Xavier, (eds.) Modernist Objects: Literature, Art, Culture. Seminal Modernisms . Clemson University Press, South Carolina. ISBN 978-1949979503

Life writing, memory, African-American literary tradition

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2010) Narrating postcolonial identities in Zora Neale Hurston's "Dust Tracks on a Road" and Barack Obama's "Dreams from My Father". In: Transformations of Narrative in the Postcolonial Era, AHRC Research Project, Pinter Centre, Goldsmiths, University of London. (Unpublished)

Literary Theory, Writing Traditions, Literature of the American South

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2007) "Dread and Love": Postcolonial theory and practice in Toni Morrison's 'Playing in the Dark' and 'Song of Solomon' and William Faulkner's 'Go Down, Moses'. Critical Engagements, 1 (1). pp. 166-187. ISSN 1754-0984

Memory; Time; Walter Benjamin; Henri Bergson; Philosophy; Literary Modernism

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 and Ansell-Pearson, Keith (eds.) (2017) Memory and modernity: literary and philosophical perspectives. Bloomsbury. (In Press)

Modernity; Flaneur; Paris; Urban theory; Gender

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2017) Diasporic Modernism: Walter Benjamin, Jean Rhys and Consumption. In: Modernist Objects: Third International Conference of the French Society for Modernist Studies, 13th - 16th June, 2018, Paris Sorbonne University. (Submitted)

Nationalism, Narrative form, Feminist theory, Trauma

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2007) History, memory and the construction of gender in Ishiguro's 'A Pale View of Hills and The Remains of the Day'. In: Kazuo Ishiguro and the International Novel, 1 - 2 June 2007, Liverpool Hope University, Liverpool. (Unpublished)

Ralph Ellison; Toni Morrison; Jazz; “Africanism”; American identity; passing; modernist technologies

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2025) Fitzgerald, modernism, and race. In: Rattray, Laura and Wagner-Martin, Linda, (eds.) Bloomsbury Handbook to F. Scott Fitzgerald. Bloomsbury Handbooks . Bloomsbury Academic, London; New York, pp. 15-27. ISBN 978-1350429642; 1350429635-10 (In Press)

Slavery, trauma, motherhood, gothic

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2015) Reading Toni Morrison, Beloved. In: Reading Toni Morrison's Beloved: First Lecture of the Bank of America's Cultural Program, June 2015, Bank of America Head Office, Holborn, London with satellite link to Bank of America Headquarters in South Carolina, USA.

South-Asian literature, American identity, Immigration

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2003) '"Two ways to belong in America": Immigrant identity in Bharati Mukherjee's Jasmine'. In: The American Modern: Varieties of Modernism and Modernity, 16 December 2003, Goldsmiths, University of London. (Unpublished)

The Bluest Eye, 1930s Popular Culture, Scientific Racism, Toni Morrison

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2003) Contesting ideologies: Deconstructing racism in African-American fiction. Women: A Cultural Review, 14 (1):2. pp. 20-37. ISSN 0957-4042 (Print), 1470-1367 (Online) (doi:10.1080/0957404032000081683)

Toni Morrison, globalization and literature, Black Atlantic Transnation

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2020) Introduction: Global Morrison. Contemporary Women's Writing, 13 (3). pp. 253-269. ISSN 1754-1476 (Print), 1754-1484 (Online) (doi:10.1093/cww/vpaa008)

Toni Morrison, literary criticism

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2013) Toni Morrison and literary tradition: The invention of an aesthetic. Bloomsbury Academic, London, UK. ISBN 9781441183101

Transnation, Post-racial, Post-blackness, Globalisation, The Body

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2020) Morrison and the transnation: Toni Morrison, God Help the Child and The Origin of Others and Zadie Smith, Swing Time. Contemporary Women's Writing, 13 (3). pp. 287-306. ISSN 1754-1476 (Print), 1754-1484 (Online) (doi:10.1093/cww/vpaa009)

Transnationalism; Migration; African-American, Carribbean and African Literatures in English; gender; diaspora

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2016) Transnational Paris: Gender, Migritude and Literature. Bloomsbury. (Submitted)

Urban theory; Diversity; Suburbia; Art; Literature; Film

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2017) South of the River. In: South of the River: Second International Conference of the South of the River Research Group, 17-18th May 2018, University of Greenwich, London. (Submitted)

Walter Benjamin; History; Modernity; Modernism

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2019) “There are no paths in water”: History, Memory and Narrative Form in Crossing the River (1993) and Foreigners: Three English Lives (2007). Polygraphiques - Collection numérique de l'Équipe de recherche interdiscplinaire sur les aires interculturelle (URN - l'ERIAC EA 4705), 2018 (4).

diaspora; Toni Morrison; African American identity; gender

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2022) Toni Morrison’s female epistemology: post-nationalism, diaspora, and postcolonial futures in Tar Baby, Mouth Full of Blood, and Paradise. In: Reames, Kelly and Wagner-Martin, Linda, (eds.) The Bloomsbury Handbook to Toni Morrison. Handbook Series . Bloomsbury Academic, London, New York, New Delhi, Oxford and Sydney, pp. 75-89. ISBN 978-1350239920; 978-1350239937; 978-1350239944

modernism, Harlem Renaissance, folk discourse, Claude McKay, Gertrude Stein

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2020) Harlem Renaissance modernism: migration and folk discourse. In: The Wanderings of Modernism, 11 Jan 2020, Universite Sorbonne, Maison de la recherche (rue Serpente). (Unpublished)

postcolonial literature, Obama movement,

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2009) Postcolonial futures: postcolonial literature and the Obama moment. BRAND Literary Magazine, 4 (Winter). pp. 101-105. ISSN 1754-0593

slave narratives, utopia, dystopia, Afrofuturism, science fiction, signifying

Baillie, Justine ORCID: https://orcid.org/0000-0002-0056-9155 (2017) Space and Place in Colson Whitehead, The Underground Railroad (2016). In: 27th Annual British Commonwealth and Postcolonial Studies Conference, 16-17th February 2018, Desota Savannah, Georgia, USA. (Submitted)