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Items where Subject is "M Music and Books on Music > M Music"

Items where Subject is "M Music and Books on Music > M Music"

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abc music abstract adaptation Affect Aldeburgh animacy animation architecture Archive archive footage art artificial composition astronomy audio audio streaming Audio visual audio-visual bell bells Benjamin Britten Blackpool brand communities branding cello chorus cinema Collection Composition Comprovisation creativity cultural commodities cultural geography cultural informatics culture curved-time diffusion digital archives Durational composition Einstein electro-acoustic composition Electroacoustic Electroacoustic music English identity entropy Expanded cinema Experimental film Film films gatekeepers genetic algorithms harmonics Heidegger hip hop history Human traces immersion Improvisation Installation jazz Joseph Kepler landscape live music venue LUX mathematics maths Maximalism media method cultural studies methodology modern music MONO NO AWARE moving image music music composition music improvisation music information retrieval Music performance music scores musical interfaces musicology Noise opera percussion performance Peter Pears politics Post-acousmatic Practice-based research Private Passions protest queer studies Radio 3 recording review review Rhythm Robert Mapplethorpe Robin Wilson Roma art Roma history royal academy of arts Shoreditch singing Site-specific skyscape song Sonic art sonic economy sound Sound design Sound image Sound-image Soundtrack St Leonard's Church sub-cultures Suffolk The Enlightenment theatre translation Time tintinnabulation translation translation theory tribes visual visual music Visual structure vocal Vocals world music
Number of items at this level: 182.

abc music

Walshaw, Chris (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

abstract

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

adaptation

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

Affect

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (In Press)

Aldeburgh

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

animacy

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

animation

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online)

architecture

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

Archive

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Performance]

archive footage

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

art

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

artificial composition

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

astronomy

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

audio

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

audio streaming

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Audio visual

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online)

audio-visual

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Watkins, Julie (2017) SKY. [Video]

bell

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

bells

Breathing Space, (collective) (2015) HERD. [Performance]

Benjamin Britten

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

Blackpool

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

brand communities

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

branding

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

cello

Breathing Space, (collective) (2015) HERD. [Performance]

chorus

Breathing Space, (collective) (2015) HERD. [Performance]

cinema

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Collection

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Performance]

Composition

Hill, Andrew (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) House (soundtrack). [Composition] (Unpublished)

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online)

Comprovisation

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Performance]

creativity

Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

cultural commodities

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)

cultural geography

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

cultural informatics

Walshaw, Chris (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

culture

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

curved-time

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

diffusion

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

digital archives

Walshaw, Chris (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

Durational composition

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Einstein

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

electro-acoustic composition

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Electroacoustic

Hill, Andrew (2016) Projections. [Composition] (Unpublished)

Electroacoustic music

Hill, Andrew and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

English identity

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

entropy

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

Expanded cinema

Hill, Andrew and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

Experimental film

Hill, Andrew (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) Washi (soundtrack). [Composition]

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:10.16995/bst.296)

Film

Hill, Andrew (2016) Washi (soundtrack). [Composition]

films

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

gatekeepers

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)

genetic algorithms

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

harmonics

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Heidegger

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

hip hop

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

history

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

Human traces

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (In Press)

immersion

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Improvisation

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Performance]

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Installation

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

jazz

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

Joseph Kepler

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

landscape

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

live music venue

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)

LUX

Hill, Andrew (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) Washi (soundtrack). [Composition]

mathematics

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

maths

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Maximalism

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

media

Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)

method cultural studies

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

methodology

Kennedy, Steve (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153

modern music

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

MONO NO AWARE

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

moving image

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:10.16995/bst.296)

music

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Hill, Andrew (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) Projections. [Composition] (Unpublished)

Hill, Andrew (2016) Washi (soundtrack). [Composition]

Kennedy, Stephen (2011) Audiostate. Six compositions for film/live art performance. [Show/Exhibition] (Unpublished)

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

Sigthorsson, Gauti (2007) [Panelist on "DIY?: we're doing it already, thanks" and moderator on "The Stranger in the crowd: fans shout back"]. In: In the City, 20-22 Oct 2007, Manchester, UK. (Unpublished)

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

music composition

Daylamani Zad, Damon, Araabi, Babak N. and Lucas, Caru (2006) A novel approach to automatic music composing: Using genetic algorithm. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, USA, pp. 551-555.

music improvisation

Breathing Space, (collective) (2015) HERD. [Performance]

music information retrieval

Walshaw, Chris (2014) A statistical analysis of the ABC music notation corpus: exploring duplication. In: Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Computer Engineering Department, Boğaziçi University, Turkey, Istanbul, Turkey, pp. 2-9.

Music performance

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Performance]

music scores

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

musical interfaces

Sigthorsson, Gauti (2008) Acoustic pockets of the outside [presentation on "Musical Interfaces" panel]. In: Futuresonic 2008: Urban Festival of Art, Music and Ideas, 1 - 5 May 2008, Manchester, UK. (Unpublished)

musicology

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

Noise

Hill, Andrew (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) Washi (soundtrack). [Composition]

opera

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

percussion

Breathing Space, (collective) (2015) HERD. [Performance]

performance

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Hill, Andrew (2016) Projections. [Composition] (Unpublished)

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online)

Peter Pears

Powers, Alan (2012) Britten, Pears and their architects. In: LeGrove, Judith, (ed.) A Musical Eye: The Visual World of Britten and Pears. Artists' Choice Editions, London, UK, pp. 133-143. ISBN 978-0-9558343-6-3

politics

Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

Post-acousmatic

Hill, Andrew (2016) Projections. [Composition] (Unpublished)

Practice-based research

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (In Press)

Private Passions

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

protest

Kennedy, Steve (2009) Leaving on a jet plane of immanence. The Issues: In Contemporary Culture and Aesthetics. Nerve Ltd., London, UK. ISBN 0955003725

queer studies

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

Radio 3

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

recording review

Mann, Tony (2003) [Recording review] Paul Hindemith, Die Harmonie der Welt, soloists, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, conductor Marek Janowski. BSHM Newsletter, 48. p. 36.

Mann, Tony (2003) [Recording review] William Herschel, Symphonies Nos. 2, 8, 12, 13, 14, 17. BSHM Newsletter, 49. p. 42.

review

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Rhythm

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (In Press)

Robert Mapplethorpe

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Robin Wilson

Mann, Tony (2007) Reviews: Private Passions with Robin Wilson [Radio review]. London Mathematical Society Newsletter, 363.

Roma art

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

Roma history

Acton, Thomas (2010) Is tradition the enemy of history? In: Orta, Lucy, (ed.) Mapping the Invisible: EU-Roma Gypsies. Black Dog Publishing / London College of Fashion, London, UK, pp. 20-23. ISBN 978 1 906155 91 9

royal academy of arts

Breathing Space, (collective) (2015) HERD. [Performance]

Shoreditch

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

singing

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online)

Site-specific

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

skyscape

Watkins, Julie (2017) SKY. [Video]

song

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

Sonic art

Hill, Andrew and Hobbs, Jim (2017) (I)MAGESOUND(S): Expanded audiovisual practice. eContact!, 19 (2).

sonic economy

Kennedy, Stephen (2013) Echostate. Zetesis: Research generated by curiosity, 1 (1). pp. 68-77. ISSN n/a

Kennedy, Steve (2010) A sonic economy. CTHEORY - Code Drift: Essays in Critical Digital Studies, 003:649. ISSN 1190-9153

sound

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Hill, Andrew (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) Washi (soundtrack). [Composition]

Sound design

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Hill, Andrew (2016) Projections. [Composition] (Unpublished)

Hobbs, Jim (2016) A sound you can “feel” – New York show for University of Greenwich academic. University of Greenwich Public Relations.

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

Sound image

Hill, Andrew (2016) Projections. [Composition] (Unpublished)

Sound-image

Hill, Andrew (2016) Washi (soundtrack). [Composition]

Soundtrack

Hill, Andrew (2016) Headgear (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) House (soundtrack). [Composition] (Unpublished)

Hill, Andrew (2016) Washi (soundtrack). [Composition]

St Leonard's Church

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

sub-cultures

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

Suffolk

Powers, Alan (2008) The destructive element: Benjamin Britten and Aldeburgh. In: Feigel, Lara and Harris, Alexandra, (eds.) Modernism on sea: art and culture by the British seaside. Peter Lang Publishers, Witney, Oxfordshire, UK, pp. 211-225. ISBN 9781906165246

The Enlightenment

Golding, Sue (2010) The Assassination of Time: The Digital 4-track Album version. [Composition]

theatre translation

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

Time

Barnell, Lou, Barnes, Melaina, Shiell, Stephen, Thompson, Ian, White, Hannah and Wright-Spinks, Phoebe (2017) Time: A Sonic Vigil. [Performance]

tintinnabulation

Thompson, Ian, Shiell, Stephen and Wilson, Richard (2016) BELL. [Performance]

translation

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

translation theory

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film & Performance, 6 (1). pp. 55-64. ISSN 1753-6421 (doi:10.1386/jafp.6.1.55_1)

tribes

Wilson, Jonathan (2010) Branding to the hip-hop generation. In: 6th International Conference of the AM’s Brand, Identity and Corporate Reputation SIG April 9th-11th, 2010 ESADE - Univesitat Ramon Llull, Barcelona, Spain., 9-11 April 2010, ESADE Business School, Barcelona Spain. (Unpublished)

visual

Watkins, Julie (2016) Animacy, motion, emotion and empathy in visual music: Enhancing appreciation of abstracted animation through wordless song. Body, Space & Technology, 15 (22). ISSN 1470-9120

visual music

Watkins, Julie (2018) Composing Visual Music: visual music practice at the intersection of technology, audio-visual rhythms and human traces. Body, Space & Technology, 17 (1). pp. 51-75. ISSN 1470-9120 (doi:10.16995/bst.296)

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (In Press)

Watkins, Julie (2017) SKY. [Video]

Watkins, Julie (2017) An investigation into composing visual music today. Body, Space & Technology, 16 (02):09. ISSN 1470-9120 (Print), 1470-9120 (Online)

Visual structure

Watkins, Julie (2018) Creating Affective Visual Music. Electronic Visualisation and the Arts (EVA 2018). (In Press)

vocal

Breathing Space, (Collective) and Thompson, Ian (2016) RISE. [Show/Exhibition]

Breathing Space, (collective) (2015) HERD. [Performance]

Breating Space, (Collective) and Thompson, Ian (2016) RISE. [Performance]

Vocals

Barnell, Louise, Barnes, Melaina, Mallows, Laura, Shiell, Stephen, Thompson, Ian, Underwood, Sam, White, Hannah and Wright-Spinks, Phoebe (2017) Care! Object Beneath. [Performance]

world music

van Klyton, Aaron C. (2015) Space and place in world music production. City, Culture and Society, 6 (4). pp. 101-108. ISSN 1877-9166 (doi:10.1016/j.ccs.2015.06.001)

This list was generated on Wed Jun 20 08:44:25 2018 BST.