Items where Author is "Golding, Sue"
![]() | Up a level |
Article
Golding, Sue (2008) The colour of time (God is a lobster and other forbidden bodies). Brand Literary Magazine , Autumn (2). pp. 70-75. ISSN 1754-0593
Book Section
Golding, Sue (2010) Fractal philosophy (and the small matter of learning how to listen): attunement as the task of art. In: Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgh, Scotland, pp. 133-154. ISBN 978-0748638376 (hardback), 9780748638383 (paperback),
Golding, Sue (2009) The assassination of time: (or the birth of zeta physics). In: Deleuzian events. work-science-medium (1). Lit-Verlag, pp. 132-145. ISBN 9783643101747
Stoppani, Teresa (2005) Dusty stories of woman. Notes for a re-definition of dust. In: The issues (In contemporary culture and aesthetics). Nerve, Ltd , London, UK, pp. 125-132. ISBN 0955003709
Conference or Workshop Item
Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.
Golding, Sue and Kennedy, Steve (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)
Golding, Sue (2009) Dirty theory: philosophical enactments after metaphysics. In: International Association of Philosophy and Literature (IAPL), 1-7 June 2009, Brunel University. (Unpublished)
Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009 , Royal Academy of Art. (Unpublished)
Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, July 12-16, 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.



