Items where Author is "Golding, Sue"
 | Up a level |
Golding, Sue (2012) The university must be defended: collateral damage, part 37. Angelaki: Journal of Theoretical Humanities, 17 (1). pp. 131-134. ISSN 0969-725X (print), 1469-2899 (online)
Golding, Sue (2011) The university must be defended: collateral damage, part 37. In: Surplus to Requirements, 2-4 Mar 2011, Slade School of Research. (Submitted)
Golding, Sue (2010) Tactile philosophy: From ars scientifica to ars erotica. In: Touched: Philosophy Meets Art, 19 Nov 2010, Liverpool, UK. (Unpublished)
Golding, Sue (2009) The possible impossible: from fractal philosophy to attunement. In: Of clouds and clocks (when the arts met the web-sciences): ICAS launch, 16-17 October 2009, University of Greenwich, Maritime Campus.
Golding, Sue and Kennedy, Steve (2009) To tremble the zero: art in the age of algorithmic reproduction. In: Critical Digital Studies Workshop, 4-6 June 2009, Pacific Centre for Technology and Culture at the University of Victoria. (Unpublished)
Golding, Sue (2009) Dirty theory: philosophical enactments after metaphysics. In: International Association of Philosophy and Literature (IAPL), 1-7 Jun 2009, Brunel University, London, UK. (Unpublished)
Golding, Sue (2009) Trembling the plane of immanence: media arts philosophy and the re-vision of art (or what’s acoustics got to do with the visual?). In: Invited lecture, February, 2009 , Royal Academy of Art. (Unpublished)
Golding, Sue (2009) The assassination of time: (or the birth of zeta physics). In: Deleuzian events. work-science-medium (1). Lit-Verlag, pp. 132-145. ISBN 9783643101747
Golding, Sue (2008) The colour of time (God is a lobster and other forbidden bodies). Brand Literary Magazine , Autumn (2). pp. 70-75. ISSN 1754-0593
Golding, Sue (2006) The assassination of time (ζeta-philosophy). In: Digital Art Weeks, 12-16 Jul 2006, Eidgenössische Technische Hochschule, Zurich, Switzerland.
Stoppani, Teresa (2005) Dusty stories of woman. Notes for a re-definition of dust. In: The issues (In contemporary culture and aesthetics). Nerve, Ltd , London, UK, pp. 125-132. ISBN 0955003709