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Listening for context – Interpretation, abstraction & the real

Listening for context – Interpretation, abstraction & the real

Hill, Andrew (2017) Listening for context – Interpretation, abstraction & the real. Organised Sound, 21 (1):1. pp. 11-19. ISSN 1355-7718 (Print), 1469-8153 (Online) (doi:10.1017/S1355771816000297)

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Abstract

This paper seeks to explore the proposed notion of ‘context-based composition’ by examining the nature of ‘real-world’ context. It does this by studying the way in which listeners interpret sounds, working towards a deeper understanding of what it is that we mean by ‘real-world’ sound and context-based composition. These discussions are then utilised to explore the concept of what it means to compose context-based works and suggests that new potentials are opened up by a closer examination of the definition of context-based composition, one which liberates itself from a concern over an absolute physical nature of sounds and which embraces the use of both abstract and referential sounds. This journey highlights the importance of memory and experience within processes of interpretation and the creation of context-based compositions, and questions divisions between the virtual and the real.

Item Type: Article
Uncontrolled Keywords: Sound; Listening; Context-based composition; Composition; Context; Virtual; Real; Abstract; Concrete; Mimetic
Faculty / Department / Research Group: Faculty of Architecture, Computing & Humanities
Faculty of Architecture, Computing & Humanities > Department of Creative Professions & Digital Arts
Related URLs:
Last Modified: 26 Apr 2018 16:29
Selected for GREAT 2016: None
Selected for GREAT 2017: GREAT a
Selected for GREAT 2018: GREAT d
URI: http://gala.gre.ac.uk/id/eprint/16305

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