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The Soho experiment: Oladipo Agboluaje and the re(New) - Direction of black British theatre

The Soho experiment: Oladipo Agboluaje and the re(New) - Direction of black British theatre

Adeyemi, Sola (2011) The Soho experiment: Oladipo Agboluaje and the re(New) - Direction of black British theatre. In: Performative Inter-Actions: Innovation, Creativity & Enterprise in African Theatre. 2011 Annual International Conference of the African Theatre Association, 21-23 July 2011, Swansea Metropolitan University, Wales, UK. (Unpublished)

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Abstract

‘Black’ writers writing in Britain, within the context of British writing, have often engaged in justifying their identities and orientation on the British stage while seeking to clarify retaining such identities without implying separatism. This has led to confusions about the directions of the theatre and the motivations of the writers, and the questioning of their contributions to the national performance debate. It also shifts intersections between Black British theatre and contemporary movements in Africa, the Caribbean and Asia.

Item Type: Conference or Conference Paper (Paper)
Uncontrolled Keywords: Culture, Black British, Heritage, Soho Theatre, Performance culture
Pre-2014 Departments: School of Humanities & Social Sciences
School of Humanities & Social Sciences > Department of Communications & Creative Arts
Related URLs:
Last Modified: 14 Oct 2016 09:25
Selected for GREAT 2016: None
Selected for GREAT 2017: None
Selected for GREAT 2018: None
URI: http://gala.gre.ac.uk/id/eprint/10268

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